411: Multimedia & Electronic Music Experiments
411: 10.24 – 10.31.2006THIS WEEK (contents)
— Judith Donath— Lecture — 10.26.06 – Thursday, 7:00 PM
— Orm Finnendahl — Lecture — 10.27.06 – Friday, 4:00 PM
— Robert Boston — Concert — 10.27.06 – Friday, 8:00 PM
— sonic.focus — screenings — 10.27.06 – Fridays, 6:00 PM
THIS WEEK (details)
— Judith Donath—
— Lecture —
10.26.06 – Thursday 7:00 PM
103 Mason Building, 169 Weybosset Street
http://dm.risd.edu/culture/lectureseries.php http://smg.media.mit.edu/people/Judith/ RISD Digital+Media Lecture SeriesJudith Donath is an Associate Professor at the MIT Media Lab, whereshe directs the Sociable Media research group. Her work focuses on
the social side of computing, synthesizing knowledge from fields such
as graphic design, urban studies and cognitive science to build
innovative interfaces for online communities and virtual identities.
She is known internationally for pioneering research in social
visualization, interface design, and computer mediated interaction.
She created several of the early social applications for the web,
including the first postcard service (“The Electric Postcard”), the
first interactive juried art show (“Portraits in Cyberspace”) and an
early large-scale web event (“A Day in the Life of Cyberspace”). Her
work has been exhibited at the Institute for Contemporary Art in
Boston and in several New York galleries; she was the director of “Id/
Entity”, a collaborative exhibit of installations examining how
science and technology’ are transforming portraiture. Her current
research focuses on creating expressive visualizations of social
interactions and on building experimental environments that mix real
and virtual experiences. She has a book in progress about how we
signal identity in both mediated and immediate situations. Professor
Donath received her doctoral and master’s degrees in Media Arts and
Sciences from MIT, her bachelor’s degree in History from Yale
University, and has worked professionally as a designer and builder
of educational software and experimental media.
— Orm Finnendahl —
— Lecture —
10.27.06 – Friday, 4:00 PM
Orwig 315, Brown University
http://brown.edu/Departments/Music/events/ Orm Finnendahl (Professor of Electronic Composition & Head of theElectronic Studio at the Musikhochschule in Freiburg, Germany) willbe speaking on Recursion as a Compositional Principle, and his
composition “Versatzstücke” for piano and computer music.
(Versatzstücke will be performed Friday evening at 8pm in Sayles hall.)
Part of the Music Department’s “Music, Culture & Technology”
colloquia series.
Orm Finnendahl is Professor of Electronic Composition and Head of the
Electronic Studio at the Musikhochschule in Freiburg, Germany. He has
received numerous prizes for his interactive compositions, including
the Kompositionspreis Stuttgart, the Busoni Prize Berlin, a CYNETart
Award Dresden and a Prix Ars Electronica prize.
Finnendahl has collaborated with many well-known contemporary music
and multimedia groups, including the Ensemble Modern, recherche,
Mosaik, Champ d’action, Palindrome Inter-Media Performance Group,
AlienNation, and Burkhard Beins. A new portrait CD of Finnendahl’s
music is scheduled for release on the WERGO Records “Edition
Zeitgenössische Musik” series in 2006.
— Robert Boston concert of contemporary piano music —
— Concert —
10.27.06 – Friday, 8:00 PM
Sayles Hall, Brown University
http://brown.edu/Departments/Music/events/ Concert features the U.S. premiere of Orm Finnendahl’s“Versatzstücke” for piano and computer music, as well as “MiróSketches” by Joseph Butch Rovan and Prokofieff’s “Visions Fugitives”
Op. 22.
Biographies:
Robert Boston, pianist
New York City based pianist/composer Robert Boston performs
classical, jazz, and contemporary music; his repertoire includes
recent masters such as Messiaen, Stockhausen, Cage and Ligeti. While
rigorously studying twentieth-century and new music, he continues to
find inspiration in jazz and free improvisation. Boston trained at
the Hochschule für Musik in Hanover, Germany under Arie Vardi, among
other places, and his performances include a performance of
Prokofieff”s Second Concerto with the Dallas Symphony. He has also
participated in collective composition experiments and organized
evenings of visual and performance art in New York, Houston and
Berlin. He is currently an accompanist with the Martha Graham Center
and Mark Morris Dance Group.
Orm Finnendahl, composer
Born in Düsseldorf in 1963, Orm Finnendahl studied Composition,
Musicology and Computer Music in Berlin after some involvement in the
Berlin experimental music scene. He had a 1988/89 scholarship at the
California Institute of the Arts in Los Angeles and in 1995-98
continued his studies with Helmut Lachenmann in Stuttgart. He has
collaborated with ensembles specializing in contemporary music
(Ensemble Modern, recherche, Mosaik, Champ d’action, etc.) as well as
with video and multimedia artists, dancers and soloists (Palindrome,
AlienNation, Burkhard Beins, etc.). He has won numerous awards and
prizes, among them Kompositionspreis Stuttgart, Busoni Prize Berlin,
CYNETart Award Dresden and Prix Ars Electronica Linz. A portrait CD
for the “Edition Zeitgenössische Musik” of WERGO Records is in
preparation. Currently Orm Finnendahl is Professor of Electronic
Composition and Head of the Electronic Studio at the Musikhochschule
Freiburg.
— sonic.focus —
— Screenings —
Modern Culture and Media Cinematheque, 135 Thayer Street, Brown
University
10.27.06 – Friday, 6:00 PM
http://www.sonicfocus.org The program opens with two nights of screenings exploring classic andcontemporary films and videos by Oskar Fischinger, Hans Richter,Kenneth Anger, Brian Eno, Phill Niblock, Carsten Nicolai, Billy
Roisz, Leslie Thornton, and others. The screenings will take place
from 6-9pm on October 20th and 27th in the Modern Culture and Media
Cinematheque, 135 Thayer Street in Providence.
For complete schedules and further details, visit: http://
www.sonicfocus.org COMING SOON (contents)
— sonic.focus — Symposium / Performances —11.03-11.04.06, Friday and
Saturday
— Douglas Kahn — Lecture — 11.07.06 – Tuesday, 7:00 PM
COMING SOON (details)
— sonic.focus —
— Symposium / Performances —
Modern Culture and Media, Brown University
11.03-11.04.06, Friday and Saturday
http://www.sonicfocus.org sonic.focus: theory and practice between sound and imagesonic.focus is a project that examines complementarities andantagonisms between sound and image in contemporary culture. Starting
with film & video screenings on October 20th and 27th, the events
will culminate in a conference and performance series to be held at
Brown University on November 3 and 4, 2006.
This program is prompted by the emergence over the past decade of an
auditory culture that parallels the dominant visual culture. Among
the phenomena that signal this emergence are: the increasing presence
of sound in visual arts exhibitions and venues; the proliferation of
visual and media practices in which sound is central to meaning; and
the development of a body of theory that examines the nature,
history, and circulation of sound as a useful social or conceptual
model.
The aim of the conference is to foster a fruitful dialogue among
theorists and practitioners working at the intersection of the visual
and the sonic arts. Keynote speakers will include David Toop,
Diedrich Diederichsen, and Douglas Kahn. Panels will include
presentations by Christian Marclay, Renee Green, Stephen Vitiello,
Steve Roden, and others. Finally, two nights of performances will
include appearances by artists such as Tony Conrad, Robert Lippok,
AGF & Sue C. and David Shea. All talks and panels will take place at
the Joukowsky Forum, 111 Thayer Street in Providence.
The program opens with two nights of screenings exploring classic and
contemporary films and videos by Oskar Fischinger, Hans Richter,
Kenneth Anger, Brian Eno, Phill Niblock, Carsten Nicolai, Billy
Roisz, Leslie Thornton, and others. The screenings will take place
from 6-9pm on October 20th and 27th in the Modern Culture and Media
Cinematheque, 135 Thayer Street in Providence.
sonic.focus is organized by Tony Cokes, Christoph Cox, and Roger
Mayer, and sponsored by the Department of Modern Culture and Media,
Brown University. Additional support for sonic.focus has been
provided by the Malcolm S. Forbes Center for Research in Culture and
Media Studies; the Creative Arts Council (Fitt Artists-in-Residence);
The C.V. Starr Foundation Lectureships Fund; Global Security Program
of the Watson Institute for International Studies; German Studies
Department; and the Goethe-Institut (Boston).
For complete schedules and further details, visit: http://
www.sonicfocus.org — Douglas Kahn—
— Lecture —
11.07.06 – Tuesday, 7:00 PM
RISD Auditorium (North Main St.)
http://dm.risd.edu/culture/lectureseries.php http://technoculture.ucdavis.edu/facstaff.html RISD Digital+Media Lecture SeriesDouglas Kahn, Professor of Technocultural Studies at University ofCalifornia at Davis, is author of Noise, Water, Meat: A History of
Sound in the Arts (MIT Press) and, under a 2006 Guggenheim
Fellowship, is completing the book Sound No Sound, on the artistic
trade between acoustics and electromagnetism. He will be a keynote
speaker at Sonic Focus at Brown University, November 3-4.
Media Ventriloquy: Election Night Coverage
News editing is a crude form of ventriloquism. Throughout the 20th
Century artists, musicians and media activists have taken editing
news events and personalities into an art form. Present day media
ventriloquists have grown increasingly sophisticated in how speak
through representations of people who are still, ostensibly, alive
through performed recordings and electoral performance, as crafted
revenge for the way these selfsame people speak for others. This
evening’s talk surveys the history before focusing on Bryan Boyce,
Pauline Pantsdown and the speaker’s own one-hit wonder.
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A B O U T 4 1 1
Sponsored by MEME | Multimedia & Electronic Music Experiments @ Brown
http://www.brown.edu/meme

















